Burn Notice S 1 E 7 Broken Rules / Recap - TV Tropes
Turn and Burn is the second episode of the second season and the fourteenth episode overall. At Sam's Relationships are about trust. People trust Michael, Fiona, and Sam arrived at the Marina Mall at noon to find Carla and figure out who she works for. Madeline told Michael she wanted to go to counseling with her. Fiona and Michael had a past relationship, which ended when Michael left gang of car thieves, even ignoring Michael's advice that the police will handle it. In the Final Season of the Burn Notice TV series, Fi is kidnapped and both Michael. Fiona Glenanne is a fictional character in the television series Burn Notice, portrayed by Fiona works with Michael Westen, Sam Axe and since season 4, Jesse Porter, doing odd jobs, as well as working as an unlicensed bounty . Sam has been known to ask Fiona for advice regarding his relationships with women.
I mean when his brother is killed I mean you can see a rage in Michael that — which hopefully the audiences kind of connect with. But I think that there is a side of Michael that would channel some kind of monster if he felt like that was the only way to get retribution for someone being hurt that he loved.Burn Notice - Just Us (Michael & Fiona)
I also love the way that the villains all have sort of different characteristics. Tim Matheson was almost sort of very good natured except for when he was being evil.
But I really thought you did some really amazing work with Jere Burns who obviously — his character was killed off. But what was he like to work with as a villain? Jere is one of my favorites. I mean nothing, nothing affects him.
I had a great time with him. And, you know, the sad part about it is all the great villains die. I mean John C. McGinley, Jere Burns, I mean these people are awesome actors and they just — they get killed. Ben Shenkman in Season 2 who was my, you know, CIA agent was just an amazing actor and we killed him. You know, they keep bad actors around me so I look better. How do you get into that mindset looking so sad and dark and… Jeffrey Donovan: But I mean I think that actors do what they do well when they can just make it their own.
You know, the way my process works is very different the way Bruce Cambell works and very different the way Sharon works but we all kind of accomplish the same goal. It sometimes lingers with you. Did you plot this out how you were going to unroll this emotionally? Then I want to start as far away from that as possible. I mean, you know, the way Bruce plays Sam is so incredible. You directed two episodes of the show.
Were there any huge challenges you had? You know, the scripts are huge. You know, typical episodic scripts are about 46 to 50 pages and Burn Notice tends to write between 52 and 58 pages.
So that — those are the big challenges. The actors are always the easiest thing. The cast is great. Which do you enjoy most, television or film?
I grew up actually in the theater. I was doing Shaw, Ibsen and Shakespeare. I got on Broadway right away and then I started doing a little bit of television and a little bit of film. With that, what do you find more exciting, producing or directing?
I mean, you know, I — one of the great pleasures and honors I had was to direct Bruce in the Sam Axe movie and try to show a little more humor in that show than is on Burn Notice because of the great talents of Bruce. But I love directing. I absolutely love it. I graduated high school considered the best actor in my high school. I graduated college the best actor in my college and I was — I graduated NYU with 18 other actors that were all considered the 18 best actors in the country and three of us are working from that class; just to show you how difficult it is.
The great ones make it look easy. And to be great I think you have to just study. Basically my role as a producer is to make sure the pretzel jar is full. My role as a producer on Burn Notice is very specific. One is how am I going to act in this scene and two, what do I ultimately want in this scene. So me kind of pointing out occasionally to some guest stars is really my job.
And for the most part everyone is incredibly receptive. Well I am — I kind of get away from Miami.
I have a house in the woods, literally and we kind of retreat there. With his blackmail of Bly in place, Michael refuses reward and walks away. Burn Notice Arc Michael has learned his new federal agent's name: Michael outs him as an intelligence agent in a restaurant to make him angry.
Bly responds that learning to live with having been fired is a process, and Michael should think about what could happen not just to himself, but to his friends and family as well. Fiona pulls up in a stolen car with illegal weapons in the trunk, just as sirens start to blare in the distance.
Michael and Fiona have to flee. Bly and Michael have another chat, in which Michael presses for information about his burn notice, and Bly counters that Michael should get a new life. Bly offers him a complete package to that end. A job as a security guard. Safe, boring, reliable, and with no opportunities to cause Westen-style trouble. Instead, Michael asks money-launderer Barry to set up a surprise business relationship between Michael and Bly.
Barry agrees in return for a small amount of money and the promise of a future favor. Bly shows up at Michael's apartment, continuing the pressure on Michael to accept the lowly job of security job.
Michael notes that Bly has a new, nicer rental car and Bly continues to threaten Michael's family, specifically his brother and Fiona. Michael appears to knuckle under to Bly's threats. This and the events of the episode make it look like he and Michael are in a closer relationship than is actually the case.
This allows Michael to blackmail Bly and get him to back off and give Michael information. Using this blackmail, Michael successfully gets his hand on the dossier behind his burn notice and Bly leaves town. Meanwhile, Michael takes Bly's car.
Michael and Fiona Michael and Fi have been dancing around their relationship for some time now. She's not willing to take no for an answer any more. Either Michael puts up or shuts up. At the end of the episode, they spend some time in hand to hand combat before it upgrades to something more intimate. Arson, Murder, and Jaywalking: When "trashing" Ernie's store, Michael takes a bat to the countertop, a donut display, and then very gently pushes over a rack of flowers.
Later in the episode, during his confrontation with Bly, Michael frames him for corruption, blackmails him, and drives off in his rental car. The cutscene where Michael and Fi put together a bomb is surprisingly playful. Military firebombs use chemicals that are ridiculously toxic, unstable, and explosive. Homemade firebombs are more reliable, if less effective.
After screaming in "fear", she punches Michael a lot, gives him her purse, and drives away. Bad Guys Do the Dirty Work: It's Diego that plants the bomb that kills Concha, not Michael.
Although it was Michael's idea.
Jeffrey Donovan Interview: 'Burn Notice', Cast Chemistry and His Advice to Actors - Daily Actor
Concha is a dark and dominant woman, darker than the show has seen so far, and the first to die by Team Westen's manipulation. That's Spanish for "You don't have anything up here. How Michael gets Bly to back off. Trust me, that's the hard part. This week's client is Hispanic, like Michael's first client, Javier, who referred him to Michael. Michael's typical "I'll see what I can do" is attacked by a client who wants him to be more certain.
Many of the events of the episode, like Bly being in Michael's apartment without a warrant and the red convertible he's mysteriously upgraded to. These are all part of Michael's eventual blackmail. Michael's crazy thief persona is perhaps quicker and brutal than he normally is, taking thugs down with a few quick punches and a baseball bat.
Gringos Michael, Fiona, and Sam are out of place. Fiona objects to the notion that she might not have gotten away from the cops without Michael's help. Assistant crime boss Diego Cruz. Even Evil Has Standards: Diego, The Dragonis old school.
He doesn't like Concha's technical plans or heavy-handed tactics. He like his crime to be in your face, personal Michael's identity is rapidly becoming this in certain circles. Javier, his first client, failed to keep quiet about Michael's role in his salvation.
The client's father built his store; most of the neighborhood businesses are the same. Concha is willing to use her feminine wile when recruiting Michael. Pointing out that it's bad business practice to demand more than your victims can pay.
Concha's interested in real estate potential, not barrio businesses. Michael's aware that Bly is sitting on the stairs leading up to his apartment even before he opens the gate leading to his courtyard.
For anyone working in covert ops, names have a special power. Interplay of Sex and Violence: Their fight at the end of the episode clearly and completely mixes both for Mike and Fi. It's mostly fight until it's mostly sex, but it's never not both. Diego feels this way to a certain extent, he wants to stick with the old fashioned gangster ways that have worked for him in the past instead of getting involved with Concha's new way of mixing the legit and criminal worlds.
Concha was going to have Michael killed by her henchman, who was also going to kill Michael's client and blow up his store. Instead, the henchman, upset by her ruthless tactics, blows her up. Michael gives back most of the shopkeep's money.
Turns out he just needed some cash to run through a bank account a few dozen times so he could blackmail Bly by making it look like he'd given him a lot of money. Kill It with Fire: How Michael really intimidates some of Concha's Mooks.
He disables their car, drills some holes in the roof, douses them with turpentine, and threatens them with a horrible death. A military expert can put together a homemade firebomb in a few hours. An IRA trained guerilla can do it in twenty minutes, give or take. Ernie, the client, expects Michael to be this; Michael disabuses him and convinces him a more subtle approach is appropriate.
Even so, Michael's able to roll with the punches and negotiate on the fly while being beaten by Concha's mooks. This week's client is near tears when Michael refuses payment.