Sir toby and maria relationship

sir toby and maria relationship

"Sir Toby and Maria are two of Twelfth Night's most explicitly comic characters, since they take themselves less seriously than the play's. Maria and Sir Toby Belch of Shakespeare's Twelfth Night, introduce the Also, Sir Toby Belch is meant to be a comical and festive character. 3 educator answers; How would one define the relationships in Shakespeare's Twelfth Night ?. A list of all the characters in Twelfth Night. The Twelfth Night characters covered include: Viola, Orsino, Olivia, Sebastian, Malvolio, Feste, Sir Toby, Maria, Sir.

If this is true then it only strengthens the likelihood that Toby can go sober after his last scene on stage. Feste hints that a sober Toby would be a good match for Maria, romantically. The first is that his statement was more than just a passing quote in a conversation of witty banter and should be treated as such.

sir toby and maria relationship

The second conclusion draws on the first; because this quote is more than just witty banter, the idea of an abstemious Toby should be taken seriously.

I believe that Feste specifically mentioning sobriety as a prerequisite to the relationship is very telling of the relationship that Maria and Toby will have off the stage.

Building upon this information, we now have a new angle in which to view the interactions between Toby and Maria. These specific quotes and their relation to my thesis rely upon how the actors deliver these lines. Without a performance present, one would think the reader is free to make these types of decisions by themselves.

It appears to me, however, that imbedded stage directions dictate actions of the former nature. This suggests two things.

Maria (Twelfth Night) - Wikipedia

The first is that Toby is not only a drunk, but a delusional drunk who believes things that are not so. The second is that Maria, whether purposefully or unable to conceal it, is showing signs of affection to Toby. Given the ending of the play, this leads me conclude that the latter possibility is the most likely scenario. And if Maria is displaying signs of affection, how would these signs manifest? I believe it is through the way in which she takes care of and looks after Toby.

sir toby and maria relationship

This specific analysis of relationship between Toby and Maria is important to my main thesis for several reasons. By this I mean that if Maria acts warmly towards Toby, as the text suggests, Feste cannot be accused of deceiving her or the audience.

It is this stacking of credibility that further qualifies his idea that it would be a sober Toby who would court her. This is the second time that the possibility of marriage between the two is brought up and at least the third time that a relationship is hinted at between them. The point of this is that these statements cannot just be overlooked as comedic value.

It is not just this relationship that points towards a sober Toby. In fact, his last time on stage provides critical evidence that he is done with alcoholism. Toby, looking for medical help, requests a surgeon only to find out that the surgeon has passed out from drinking. However, when looked at deeper, this appears to be a true statement and one of self-loathing.

These lines might at first seem to be nothing more than the drunken mumblings of a concussed man designed to create a comedic sense of irony.

sir toby and maria relationship

Love is painful, love is mad, love is foolish, and love is sincere. The first character in the play is Duke Orsino. He seems to be madly, passionately in love with Olivia, who does not return his love.

He claims to be terribly heart-sick and wrought with grief over Olivia. He mopes around his house, wallowing in sorrow. He does this until the end of the play, where he quickly shifts affections when he learns that Cesario is really a woman.

Who Is Fabian In The Twelfth Night?

Orsino is not truly in love, but instead he is in love with the idea of being in love. He enjoys indulging in his misery, and complaining of his aching heart. He likes that melancholy feeling that comes from unrequited love. His love for Olivia is only superficial, and he comes across as being very emotionally shallow. Orsino is only a likeable character because he relates in a much different way to Viola.

She brings out his real personality, showing that perhaps he is not quite as self-indulgent as he seems. He only speaks to Olivia through a messenger, and he is afraid to truly get close to a woman. In the beginning, she is in love with grief, locking herself away from the world to suffer from supposed sorrow.

Olivia is as fickle as Orsino, and she quickly sets aside her terrible grief when she meets Cesario. She falls instantly in love with Viola as Cesario, and begins pining away for him, just like Orsino pines away for her. She compares love to a plague, which is an excellent description of the love in Twelfth Night.

It strikes without warning, and infects everyone, leaving pain and madness in its wake. Olivia also quickly shifts allegiance in the end from Viola to Sebastian. Throughout the play, Olivia enjoys wallowing in her grief, first over her brother and then over Cesario. She likes feeling sorry for herself. Viola, disguised as Cesario, falls in love with Orsino. This presents a conflict, because she is dressed as a man, and Orsino is unaware that she is a woman.

Olivia is also in love with Viola as Cesario, which deepens her conflict. She sincerely loves Orsino, and does so throughout the play.

Where the rest of the characters love is fickle, hers is steadfast. She is the only one who seems to be genuinely in love. She also loves her brother deeply, and he reciprocates the same love.

Orsino and Olivia essentially end up marrying male and female versions of the same person. He does not love her though; he loves her position of power.