plot explanation - Ending of babadook - Movies & TV Stack Exchange
The Babadook is a Australian supernatural psychological horror film written and directed 1 Plot; 2 Cast; 3 Production . Kent eventually lost her passion for acting by the end of the s and sent a written proposal to [audience] really feel for them"—Kent wanted to portray human relationships in a positive light. Through Amelia and Sam, 'The Babadook' provided a new definition to the love- hate relationship between a mother and her son. The societal. There has been quite a great deal of debate about the ending and symbolism of the Babadook. The primary theories you will find on Reddit is.
Why does the mother need to continue to "feed" the babadook live things to keep it satiated?
Poltergeist phenomena is often argued to be generated by sexual energies from those in puberty. The question of incest was raised in the famous "entity" case that was the basis for the movie of the same name.
In the real-life events that inspired the film "The Exorcist", the relationship between the possessed boy and his aunt, again incestuous questions were raised.THE BOY (2016) Ending Explained
In the film, the mother is very uncomfortable with the boy's need to touch her. With no outlet in her life for her sexual needs, and her other emotions of frustration, alienation, and anger also being repressed, could the entity have been feeding off this energy as well?
The persistence in the storyline that the babadook needed to be let in. The weakness of the babadook when faced with positive emotions and loving bonds.
Demonologists believe that an evil spirit feeds on negative emotions, and that individuals feeling alone, isolated, and without familial support are ideal targets for demonic forces at work in such cases. Although the son was originally fearful of the babadook, he immediately devised ways to protect his mother from it. Despite the child being portrayed early on as the troubled one, it was the mother that proved the most emotionally and psychologically fragile, and it was she that became the focus of the babadook.
As spooky as the film is, none of it would matter were we not able to believe the lead characters, and to that end, Davis and Wiseman deliver in absolute spades.
'The Babadook' Isn't a Horror Movie About a Monster, But a Mother
Wiseman comes off completely believable as an overenthusiastic boy who is absolutely convinced of the terrors that only he can see. Davis beautifully crafts an arc of a woman who is slowly and reluctantly coming to realize the resentment she has been building up to her own son.
Her anger pokes out at unexpected times and in brutal ways. Her paranoia is excellently reflected through the direction and production design note all the times when she "sees" shapes of the Babadook in the real worldbut the weight of the film rests on Davis' face.
The Babadook - Wikipedia
In a more perfect world, there would have been a lot of award-season buzz around her performance. While The Babadook remains an excellent if not necessarily generation-defining horror flick, the extras on the lavishly-designed DVD set feel remarkably slight. Although the inclusion of the bare-bones short Monster short shows a lot of promise -- even though the concept is much more vague -- it makes for a fascinating portrait of a filmmaker continuing her journey, not to mention a delightful curiosity for fans.
Featurettes on building the main house and designing the actual Babadook book provide insight, but added-on B-roll footage and a rather stupid short showing Amelia bounding up stairs via wire work feel pointless and unnecessary. Although interviews with the rest of the cast members are more than serviceable, an entire unedited hour-long segment showing each and every talking head is, assuredly, a test of anyone's patience.
That being said, The Babadook does so many things right that sniping on its smaller flaws feels unnecessary. Horror fans are a rare breed, and they know great cinema when they see it.
In regard to parenting, Kent further explained in October And it is a very taboo subject, to say that motherhood is anything but a perfect experience for women. Therefore, Kent sought her own "family of collaborators to work with for the long term. I wanted to create a myth in a domestic setting.
And even though it happened to be in some strange suburb in Australia somewhere, it could have been anywhere. I guess part of that is creating a world that wasn't particularly Australian I'm very happy, actually, that it doesn't feel particularly Australian. Director Jennifer Kent on her desire to avoid the cliched " Australian feel " of the film  To contribute to the universality of the film's appearance, a Victorian terrace-style house was specifically built for the film, as there are very few houses designed in such a style in Adelaide.
Pre-production occurred in Adelaide and lasted three weeks and, during this time, Kent conveyed a "kiddie" version of the narrative to Wiseman. She was also influenced by pres B-grade horror films, as it was "very theatrical", in addition to being "visually beautiful and terrifying".
Kent later lost interest in the black-and-white idea and worked closely with production designer Alex Holmes and Radek to create a "very cool", "very claustrophobic" interior environment with "meticulously designed" sets.