Star wars return of the jedi 1997 ending relationship

Star Wars: Episode VI - Return of the Jedi () - Connections - IMDb

star wars return of the jedi 1997 ending relationship

Star Wars: Return of the Jedi - Death Star Battle () (Video Game) in "Swiss Family Robinson" was a direct influence on the final Ewok skirmish with the Empire in "Star Wars: Episode VI - Return of the Jedi. . Lisa mentions it in relation to Boba Fett Star Trek: Deep Space Nine: By Inferno's Light () (TV Episode). Everyone knows the plot of Return and all the big set pieces it contains (Jabba's palace! Most Star Wars fans know that the movie was filmed under the title Blue to Marquand, due to Marquand's poor relationship with the actors. the galaxy were added to the Special Edition re-release, it was less. Star Wars: Episode VI - Return of the Jedi () on IMDb: Movies, TV, Celebs The Special Edition for "Return of the Jedi" concentrated on what would have been Also, the disco was taken out of Jabba's palace, and the lame ending of the . The relationship between Darth Vader, Luke Skywalker, and the Princess, and.

Jabba, engaged by the graceful gyrations of his collared slave girl Oolastarts tugging on her chain and commanding her to come to him on his throne. Oola fearfully resists him, and in annoyance, Jabba pushes a hidden button on his throne, and Oola is dropped through a hidden trapdoor at the foot of his throne, into the pit of the Rancor monster, which immediately devours her.

Edit Later, Princess Leia Organa in the guise of bounty hunter Boushh arrives with Chewbacca as her "prisoner" to collect part of the bounty Jabba himself sought after years earlier when he put a price on Solo's head.

After much bargaining including Leia threatening Jabba with a thermal detonatorJabba settles on a deal, and has Chewbacca imprisoned. That night, Leia releases Han Solo from his carbonite coffin, and after revealing her identity to him, she kisses him.

As they prepare to escape, they are caught by Jabba and his minions. Ignoring Han's pleas, Jabba has the captain thrown in prison with Chewbacca. Although Lando Calrissian disguised as one of Jabba's prison guards tries to sneak off with Leia, Jabba stops them and orders a Gamorrean guard to bring Leia to him.

Leia is forced to become Jabba's newest slave girl, and chained to the dais as a trophy. Later on, Luke arrives at the palace. Jabba, and most of his minions are asleep, but are awoken by Bib Fortuna who, in trying to impede the Jedi's entrance, is Force-tricked into welcoming him.

Leia, now accustomed to Jabba's ways, remains silent beside the Hutt, despite her rising hope at seeing Luke. Luke demands that Jabba release Han and his other friends, but Jabba refuses the young Jedi's offer. Luke uses the Force to pull a nearby blaster and attempts to shoot Jabba, but the Hutt activates the trapdoor to protect himself, dropping the Jedi and an unfortunate guard into the Rancor pit.

After a huge battle with the Rancor which manages to devour the fallen guardLuke ultimately kills the monster by crushing it under the gate of its compound, piercing its neck with the spikes at the bottom of the gate.

He is then recaptured and brought up by Jabba's minions. Jabba, furious, chokes Leia until she falls back on his belly, and orders the prisoners to be brought before him.

Luke, Han, and Chewbacca are brought before Jabba, exchanging relief at each other's safety as Leia struggles with Jabba to sit upright before him. Luke warns Jabba that he's made his last mistake, at which the Hutt laughs in amusement.

Jabba allows Leia to climb off his throne and watch her friends from a window; after a while, he gives a tug on her chain, playfully commanding her to come to him. Leia glares back at him, but as the chain is slack, she returns to watching, and Jabba chuckles. Bib Fortuna, seeing this, joins him on his throne. Outside, Luke and his companions with Lando, still in disguise are being taken to the Pit of Carkoon on one of the land skiffs accompanying the Sail Barge. Han, still half-blinded from the side-effects of carbonizationis sure that they are all going to die, and Luke tries to reassure him of their ultimate safety, but Han is not easily convinced.

C-3PO laments their friends' imminent deaths, but R2-D2 shows a kind of confidence by saying that C-3PO shouldn't worry about things and that he's got this, which C-3PO doesn't see any reason for. Jabba allows Leia to leave his side only so that she may witness the execution of her friends.

When the vehicles ultimately reach the Pit, Jabba has C-3PO announce the group's deaths, but that he is willing to now listen to their pleas.

star wars return of the jedi 1997 ending relationship

Han calls Jabba names and tells him that he'll not get any pleasure from their deaths or their pleading, much to the Hutt's amusement, and Luke offers a final chance for Jabba to free him and his friends or die. Jabba and his guests laugh off this last threat and order for the execution to commence. Luke gets ushered off of a plank and into the Sarlacc, only to Force-flip up through the air and onto the skiff.


Meanwhile, R2-D2 launches Luke's recently-built lightsaber from a hidden panel in his housing, and Luke catches it and begins to kill his captors. When Phil returned to the office several weeks later he called me back and said I had taken advantage of his son in the negotiations.

But agents are agents. Kasdan concurred, saying it should happen near the beginning of the film to instill doubt as to whether the others would survive, but Lucas was vehemently against it and rejected the concept. Luke Skywalker was also to have walked off alone and exhausted like the hero in a Spaghetti Western but, according to Kurtz, Lucas opted for a happier ending to encourage higher merchandise sales. For instance, the Ewoks were going to be Wookiees[21] the Millennium Falcon would be used in the arrival at the forest moon of Endorand Obi-Wan Kenobi would return to life from his spectral existence in the Force.

Filming began on January 11,and lasted through May 20,a schedule six weeks shorter than The Empire Strikes Back. The shoot commenced with a scene later deleted from the finished film where the heroes get caught in a sandstorm as they leave Tatooine.

The production team made several attempts, but were unable to create an adequate result. Lucas eventually relented and decided to film the rancor as a high-speed puppet. One of two "skeletal" post-production units shooting background matte plates spent a day in Death Valley.

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Return of the Jedi soundtrack John Williams composed and conducted the film's musical score with performances by the London Symphony Orchestra.

Orchestration credits also include Thomas Newman. Sony Classical Records acquired the rights to the classic trilogy scores in after gaining the rights to release the second trilogy soundtracks The Phantom Menace and Attack of the Clones. The set was released with the new artwork mirroring the first DVD release of the film. Despite the Sony digital re-mastering, which minimally improved the sound heard only on high-end stereos, this release is essentially the same as the RCA Victor release.

Of about special effects shots, [23] all VistaVision optical effects remained in-house, since ILM was the only company capable of using the format, while about 4-perf opticals were subcontracted to outside effects houses. It was originally slated to be May 27, but was subsequently changed to coincide with the date of the release of the original Star Wars film.

At the time of its release, the film was advertised on posters and merchandise as simply Star Wars: Return of the Jedi, despite its on-screen "Episode VI" distinction. The original film was later re-released to theaters in Along with the two other films in the original trilogy, Return of the Jedi was re-released on March 14,with a number of changes and additionswhich included the insertion of several alien band members in Jabba's throne room, the modification of the Sarlacc to include a beak, the replacement of music at the closing scene, and a montage of different alien worlds celebrating the fall of the Empire.

Lucas was now a millionaire and one of the most sought after young directors in the world. Lucas would later profit from an upcoming star in that movie: Star Wars would place Ford higher into stardom. Conception Poster art for Star Wars: Lucas acknowledges that the plot and characters in the Japanese film The Hidden Fortress, directed by Akira Kurosawa, was a major inspiration. Lucas has said that the movie influenced him to tell the story of Star Wars from the viewpoint of the humble droids, rather than a major player.

It also played a role in the conception of Darth Vaderwhose trademark black helmet intentionally resembles a samurai helmet. George Lucas has often said that his original idea for the project that evolved into Star Wars was to remake the Flash Gordon movie serials from the s a "serial" is a movie shown in weekly installments of about minutes each. Despite the plot changes the Star Wars films are still bursting with influences from the Flash Gordon movie serials, including the Rebels vs.

Joseph Campbell's The Hero With a Thousand Faces eventually gave Lucas a third and final major story direction, but many elements from Kurosawa's work remain, including the two bickering peasants who evolved into the droidsand the queen who often switches places with her handmaiden.

The Darth Vader-like evil general who has a change of heart at the end wears a kamon a Japanese family crest that looks very similar to the Japanese Imperial Crest. This blueprint for "The Hero's Journey" gave Lucas the focus he needed to draw his sprawling imaginary universe into a single story. Campbell demonstrates in his book that all stories are expressions of the same story-pattern, which he named the Hero's Journey or the monomyth.

Lucas learned from Tolkien how to handle the delicate stuff of myth. Tolkien wrote that myth and fairytale seem to be the best way to communicate morality - hints for choosing between right and wrong - and in fact that may be their primary purpose.

Lucas has also acknowledged in interviews that the Gandalf and the Witch-king characters in the Lord of the Rings influenced the Obi-Wan Kenobi and Darth Vader characters respectively.

star wars return of the jedi 1997 ending relationship

The screenplays for the original trilogy There are many myths surrounding the writing of Star Wars, many perpetuated by Lucasfilm and George Lucas himself. Lucas' original concept was a swashbuckling space adventure movie. He says "the film was a good concept in search of a story. InUnited Artists agreed to make American Graffiti and Star Wars in a two-picture contract, though they would reject Star Wars in its early concept stages. Graffiti was made first, and when it was completed inLucas set to work on making his space adventure movie.

In earlyLucas wrote a short summary called "The Journal of the Whills," which told the tale of the training of apprentice C.

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Thorpe as a "Jedi-Bendu" space commando by the legendary Mace Windy. Frustrated that his story was too hard to understand, Lucas wrote a page treatment called The Star Warswhich was a loose remake of Akira Kurosawa's The Hidden Fortress. Byhe had expanded the treatment into a rough-draft screenplaywhich added elements such as the Sith and the Death Star, and once more had the protagonist as a young boy, named Annikin Starkiller. For the second draftLucas made heavy simplifications, and also introduced the young hero on a farm, with his name now Luke rather than Annikin.

The next draft removed the father character and replaced him with a substitute named Ben Kenobi, and in a fourth draft had been prepared for principal photography. At this point, Lucas was thinking of the film as the only entry that would be made — the fourth draft underwent subtle changes that made it more satisfying as a self-contained film that ended with the destruction of the Empire itself, as the Death Star was said to achieve; possibly this was a result of the frustrating difficulties Lucas had encountered in pre-production during that period.

However, in previous times Lucas had conceived of the film as the first in a series of adventures. The second draft contained a teaser for a never-made sequel about "The Princess of Ondos," and by the time of the third draft some months later, Lucas had negotiated a contract that gave him rights to make two sequels. Not long after, Lucas met with author Alan Dean Foster and hired him to write these two sequels — as novels.

The intention was that if Star Wars was successful — and if Lucas felt like it — the novels could be adapted into screenplays. He had also by this point developed a fairly elaborate backstory — though this was not designed or intended for filming; it was merely backstory.

When Star Wars was successful, and not just successful but the biggest hit ever made at that time, Lucas decided to use the film as a springboard for an elaborate serial, although he considered walking away from the series altogether. However, Lucas wanted to create an independent filmmaking center — what would become Skywalker Ranch — and saw an opportunity to use the series as a financing agent for him.

Alan Dean Foster had already begun writing the sequel as a novel, but Lucas decided to disregard that for filming and create more elaborate film sequels; the book was released as Splinter of the Mind's Eye the next year. At first Lucas envisioned an unlimited number of sequels, much like the James Bond series, and in an interview with Rolling Stone in August of said that he wanted his friends to take a try directing them and giving unique interpretations on the series.

He also said that the backstory where Darth Vader turns to the dark side, kills Luke's father and fights Ben Kenobi on a volcano as the Republic falls would make an excellent sequel. They held story conferences together, and in late November of Lucas had produced a handwritten treatment called The Empire Strikes Back. The story is very similar to the final film except Darth Vader does not reveal he is Luke's father. In the first draft that Leigh Brackett would write from this, Luke's father appears as a ghost to instruct Luke.

During this period, Lucas had now had time to attach a numeric figure to the amount of sequels — he revealed to Time magazine in March that there would be twelve films altogether. This was then revealed in the official Star Wars fanclub newsletter, Bantha Tracks. The figure of 12 was likely selected due to its tradition in serial episodes.

Brackett finished her first draft of The Empire Strikes Back in early ; Lucas has said he was disappointed with it, but before he could discuss it with her she had died from cancer. With no writer available, Lucas had to write his second draft himself. As Michael Kaminski argues in The Secret History of Star Wars, the disappointment with the first draft probably made Lucas consider different directions to take the story in. Here he made use of a new plot twist: Darth Vader says he is Luke's father.

According to Lucas, he found this draft enjoyable to write, as opposed to the year-long struggles of the first film, and quickly wrote two more drafts in the same month — April of — which both retained the new Vader-as-father plot. He also took this darker ending farther by imprisoning Han Solo in carbonite and leaving him in limbo. This new storyline where Vader was Luke's father had drastic effects on the series.

Victory Celebration Sebastian Shaw - Return of the Jedi (1997 Special Edition Ending)

Michael Kaminski argues in his book that it is unlikely that this was a plot point that had seriously been considered beforeor even thought of before then, and that the first film was clearly operating under an alternate storyline where Vader was separate from Luke's father; there is not a single reference to the Vader-as-father plot point before