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We have on this disc a carefully selected group of musicians: Power and delicacy combined. The songs stretch an equally wide variety of material. Suffice it to say the music is as diverse as both the musicians and the composers but never easy to pin down and always intriguing. A fantastical and complete work that will provoke much thought and hopefully some comparable works by others coming. Dave Moss violaand Jocelyn Butler Shoulders cello.
Most of the dozen compositions are from Siegel and, as mentioned, they combine harmonica with string quartet. To call this brilliant is to state the obvious.
It is also demanding music. It breaks any preconceptions that listeners may have regarding the wedding of classical string quartet and blues harmonica. Siegel saw Alligator release two Chamber Blues recordings in and and in released Complementary Colors on Gadfly Records. The disc at hand opens with a harmonica wail surrounded by the strings plucking and bowing thoughtfully. Ernie Watts, a first class jazz master adds his voice to the mix, dueting with and chasing Siegel as the strings become more cohesive and couching.
Missing Persons Blues, Op. His Time Will Tell Overture, with Das on tabla, is another voice that weaves seamlessly with strings.
The interplay between the strings and the principals is equally mesmerizing. The reading is adventurous with the strings taking on a percussive and swinging role.
This is followed by a captivating string-driven version of the Siegel-Schwall classic Angel Food Cake. Corky and the strings work superbly together. Keeping contrasts at the heart of the disc, Galloping Horses, composed by Hai Huang-Hai features Chihsuan on the ehru. This is followed by the two part Counter Intuitive, Op.
This is a swinging harp piece with strings offering counterpoint.Hi-Rez - White Tiger
On the second part the viola of Dave Moss is featured. The combination of the two Corkys is a delight. Gallo Glimpses of my life experience in the Blues from the time I was introduced in to the present Corky Siegel is either a musical genius, or crazier than the proverbial "outhouse rat.
The initial concept for the marriage of blues and classical was most likely when classical conductor Seiji Ozawa brought together the Siegel-Schwall Band and the Chicago Symphony Orchestra. A Blues Concerto" was released in Corky Siegel is without question, one of the finest harmonica players ever to draw breath. Where many saw musical genres, Corky Siegel saw possibilities. This union of styles, which was envisioned so long ago, is going stronger than ever.
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Beside those mentioned earlier, Corky wishes to thank Muddy Waters and Howlin' Wolf for their contributions. I recommend it very highly. This is, at the very least, cutting edge stuff.
The musical adventurism of the Kronos Quartet aptly proves that you can play nearly anything in the classical realm and make it intriguing. The most recent comparable example to Chamber Blues—Different Voices was cellist Yo-Yo Ma's Appalachia Waltz project which combines the contrasting genres of classical and mountain roots music in a critically acclaimed musical collaboration. That takes some guts, but he has the technical proficiency to carry it out convincingly.
Siegel reports that this project was the idea of his erstwhile collaborator Maestro Seiji Ozawa, the famed Japanese conductor who is renowned for his fearless musical experimentation and genre amalgamation. This project of blues harmonica and classical string quartet demonstrates that if you bring a bunch of superlative musicians together, lift the restrictions and loosen the collar, good things can come out of it.
Siegel's pedigree as a blues master is by now well established. If that wasn't enough he lined up the Chicago-based folk trio Sons of the Never Wrong. Singers Marcy Levy and Matthew Santos round out the ensemble. On some songs the quartet adds sustaining dimension while preserving the genre of the featured artist; on others the classical dimension takes center stage.
It all works magically, organically, not forced, as if it was always meant to be played this way, lovingly, sweetly, sophisticated but not haughtily. Whenever so many styles blend, there is likely to be something for everyone, but perhaps not everything for all.
Marcy Levy, the co-writer of Lay Down Sally with Eric Clapton sings that major pop hit in what is perhaps the oddity on the album. Inexplicably, the cellist Joycelyn Butler-Shoulders is not featured up front and in any of these cuts, which is disappointing. Sounding a million miles away from a bunch of white boys with the blues fighting a turf war with the Butterfield bunch, this is state of the art white boy blueswith lots of soul stirred in.
Totally killer stuff throughout. Chris Spector - Midwest Record - www. Long a practitioner of this particular strain of genre-splicing, Mr. Siegel provides this mix with compositions and adaptations suitably compelling and quirky.
And rest assured, this blues bar-bred bandleader has blocked out plenty of time for his own solid blow choruses. Combining classical stylings with blues harmonica and so much more" Ear2TheGroundMusic Breaking the Ground a Little More "music of this caliber can keep both sky and earth intact.
Take a long-time Chicago blues groover and cross him with a chamber string quartet and several very special guests and see what happens. Corky Siegel has always been someone with an ear for adventure, all the way back to the Siegel-Schwall Band that infiltrated the South Side clubs in Chicago to learn blues at the feet of masters like Muddy Waters and Howlin' Wolf. Siegel's harp playing became its own force of nature, and he's survived a lot of miles and milestones.
He's also been someone who likes to cross-pollinate and work with outside influences like classical musicians to see what happens. His compositions with the Chicago Symphony Orchestra blew minds a half-century ago, and Corky Siegel hasn't slowed down since. Now that he's recording here with a classical string quartet along with guests like Paul Butterfield Blues Band drummer Sam Lay, singer Marcy Levy, tabla master Sandeep Das, folk trio Sons of the Never Wrong, and jazz saxophone legend Ernie Watts, it's like his palette is growing exponentially.
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It's almost like listeners need scorecards to track all the action. But that's Corky Siegel, a true pioneer who won't dream of slowing down. Corky Siegel, once member of the famed Siegel-Schwall Band, is back with an interesting concept. ONE features lush harp work by Siegel and crystal clear vocals by Matthew Santos on vocal, this track having more of a euro, show sound.
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