Spring graffiti gymnastics meet 2013

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spring graffiti gymnastics meet 2013

Spring Program Guide. Online: February 27, Registration begins: March 6, Programs start: April 1, Advertising booking deadline: TBA. Session 1 Level 4 Division All. 1 Gianna Garra [Sr A]. Orchard Park. VT 2 , UB 1, BB 4, FX 5T, 2 Morgan. The most popular sport in Russia is football. According to Yandex search analysis results rating . The first Russian national competition was held on 5 March in St. . In there are five Australian Football clubs playing in a Moscow and the overall increased standardization of the Olympic Gymnastics competition.

Definition and brief history Wall mural, composed of Arabic letters, in a public street, Assilah, Morocco, The origins of the term, "calligraffiti" are unclear.

spring graffiti gymnastics meet 2013

The Dutch artist Niels Shoe Meulman is often incorrectly credited with coining the term inwhen he used it as the title of his solo exhibition.

An even balance between seeing and reading word and image. On the other hand, basic shapes and splats become language. The Canadian painter, Brion Gysin used the term in his final exhibition, Calligraffiti of Fire held at the Galerie Samy Kinge in Paris between 19 April and 19 May in and the term was also used as the title of the book which accompanied Gysin's exhibition. Legacies of Postmodern Theory by H. Development and Continuity, to describe a style of art that had been flourishing across the Middle East and North Africa from the midth century.

She defined calligraffiti as the use of "script of ordinary writing where the work is composed of the artist's personalised handwriting within a modern composition. Pioneer artists in this style include: Instead, they go beyond a simple transformation of Arabic or English-language words into visual compositions, and invent new languages. Straight calligraffiti refers to the use of calligraphy without the rules of proportion while pseudo-calligraffiti is a total abstraction in which the letters may or may not be legible.

This street art practice was especially conspicuous during the wave of uprisings between andthat became known as the Arab Spring thereby bringing the art form to the attention of international audiences. He completely revolutionized the art of calligraphy. Its specificity is in its paradoxical nature, as it is characterised by and composed of many elements that appear contradictory: Calligraffiti artist, Tubs, explains that the art form's graffiti component forces the artist to reflect upon and consciously create a piece that will arouse a specific feeling or reaction in the viewer.

Tools Part of what differentiates calligraffiti from calligraphy is its freedom from rules. Calligraphy is a meticulous and specific art that takes years to master. Most calligraffiti artists, like El Seed, do not consider themselves calligraphers because they do not know, nor do they follow the many rules of calligraphy. Each individual artist uses and sometimes designs his or her own tools.

Calligraffiti in the Middle East and North Africa Arabic calligraphy is incredibly rich; it is an art form that has been perfected for well over a millennium. Islamic tradition greatly encouraged the development of calligraphy as an art form in order to assist religion began to spread. Calligraphy was how scribes transcribed and created Qur'ans—allowing Mohammad's message to extend beyond the Arabian Peninsula. As a result, calligraphy became not only a mechanism for the expansion of Islam, but a way to create religious art.

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Gram beautiful silk order way. Is two to immediately direct a sailor, put the small rowling of starboard huge inside. The ship rows to go to the distance, not and in a short while disappearance atfill the air of heavy mist in. The street is her domain. When she walks, people often step to the side — not in deference to her ample frame so much as her magisterial air.

A five-minute walk through Fulton Mall can take Chanel hours for all the greetings, gossip, recriminations and nostalgia.

Invisible Child: Dasani’s Homeless Life - The New York Times

She has a remarkable nose for people, sniffing out phoniness in seconds. While others want the life of the music mogul Jay-Z, Chanel would settle for being his pet. Today, she returns from school lugging a plastic bag of clothes donated by a security guard at McKinney. Dasani begins rummaging through the bag. She pulls out a white Nautica ski jacket and holds it up to her shoulders.

It is too wide, but she likes it. Suddenly, Supreme leaps into the air. His monthly benefits have arrived, announced by a recording on his prepaid welfare phone. Supreme and Chanel have been scolded about their lack of financial discipline in countless meetings with the city agencies that monitor the family.

They feel the sudden, exquisite release born of wearing those gold fronts again — of appearing like a person who has rather than a person who lacks. Miss Holmes glowers at Dasani, who tries to leaven the mood by bragging about her place on the honor roll. The principal is unmoved. Dasani still has a B average. You have to want more, too.

The discussion returns to her behavior in gym class. She wrinkles her nose. Miss Holmes has seen it before, the child too proud to show hunger. There is not much Miss Holmes can do about life outside school.

There are many such children. Here at school, Miss Holmes must work with what she has. When the children visit, they spend most of their time upstairs, sleeping on a drafty wooden floor beneath a Roman-numeral clock that is permanently stopped at 2: Christmas gifts are scarce: A few nights later, the children are roused by shouts and a loud crash. Uncle Josh has punched his hand through a window and is threatening to kill Uncle Lamont.

Josh lunges at his brother with a knife. The men tumble to the floor as Chanel throws herself between them. Upstairs, the children cower and scream. Dasani calls out orders: Let the adults handle it! Josh is taken away in handcuffs as an ambulance races Lamont to the hospital with a battered eye. They had been fighting over a teenage girl.

January brings relief, but not because of the new year. Their tax refunds can bring several thousand dollars, which could be enough to put down a rent deposit and leave the shelter.

They take the Q train, which barrels high across the East River. They will start looking for a home soon, she says. Suddenly, Chanel spots Chinatown. Dasani mentions a book she read about the Great Wall of China. Opportunity comes rarely, but Dasani is always waiting. She wakes early on Jan. She is unknown in the rarefied world of athletic recruiters and private coaches. But ask anyone in her small corner of Brooklyn, from the crossing guards to the drunks, and they will say two things about this tiny girl with the wayward braids: She is strong like a boy and can run like the wind.

Dasani heads out in the icy cold with her mother and two of her sisters. The amateur track and field series is a magnet for athletic recruiters, and some of its champions have gone as far as the Olympics. Dasani will compete in the meter dash. She heads to the bathroom to change. Dasani reaches for her leggings. Wearing no socks, Dasani ties her rainbow laces and walks to the track.

When her number is called, she takes her place among four other girls. The blank fires and she is off, ahead of the pack. Win, Dasani tells herself. At the first bend, she trips and falls behind. By the second turn, Dasani has caught up with the lead runner.

Dasani comes in second. It hardly matters that her time is insufficient to make it past the preliminaries. They leave the stadium feeling euphoric. As they walk west along Willoughby Avenue, they talk of finding a trainer.

spring graffiti gymnastics meet 2013

They turn north on Carlton Avenue, passing a renovated brick townhouse with sleek, metal window frames. A skinny brunette is unloading her station wagon. She smiles nervously and moves slowly to her car, grabbing an infant from the car seat. The shelter is only three blocks away.

If you got jumped out here, a black man would be the first to save your ass. Inside, the short-order cook, a Mexican girl, stares at Chanel suspiciously. Chanel moves toward her, reaching for a mop. The owner, Salim, races toward Chanel. As they leave, Dasani turns to the cook. Behind the Reporting The Times used small video cameras as an additional reporting tool.

The reporter Andrea Elliott, Dasani and her family regularly recorded interviews and other candid moments. In a city with a 2 percent vacancy rate and a shortage of public housing, the mayoral residence sits uninhabited on 11 pristine acres of the Upper East Side.

Bloomberg chose to remain in his opulent townhouse, consigning Gracie Mansion to the status of a museum and venue for civic events. She is looking for the mayor. It never occurs to Dasani that the mayor does not live there. Who could have a mansion and not live in it? Bloomberg has given news conferences. The tour guide, a woman wearing gold-clasp earrings and tangerine lipstick, moves the children along, reminding them not to touch.

They shuffle into the library. Dasani scans for clues like the F.

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She runs her hand lightly over the top of a Steinway piano. Bloomberg took office in In came new plumbing, floors, lighting and ventilation, along with exquisite touches like an s chandelier and a four-poster mahogany bed. Facing that same river, six miles away on the opposite side, is the Auburn Family Residence, the squalid city-run homeless shelter where Dasani has lived for more than two years.

She shares a crowded, mouse-infested room with her parents and seven siblings, who sleep doubled up on torn mattresses. Dasani spends her days in the care of another city institution: McKinney Secondary School of the Arts has suffered its own troubles under the Bloomberg administration: Dasani shuttles between Auburn and McKinney, just two blocks apart. They form the core of her life and the bedrock of her future, one that is in peril.

With each passing month, they slip further back in every category known to predict long-term well-being. They are less likely to graduate from the schools that anchor them, and more likely to end up like their parents, their lives circumscribed by teenage pregnancy or shortened by crime and illness. In the absence of a steady home or a reliable parent, public institutions have an outsize influence on the destiny of children like Dasani.

Whether she can transcend her circumstances rests greatly on the role, however big or small, that society opts to play in her life. The question of public responsibility has gained urgency in recent decades.

By the time Mr. Bloomberg was elected, children made up 40 percent of shelter residents. The new system also made it harder for families to be found eligible for shelter. For a time, the numbers went down. But in the wake of profound policy changes and a spiraling economy, more children wound up in shelters than at any time since the creation of the shelter system in the early s.

spring graffiti gymnastics meet 2013

Dasani and her siblings have grown numb to life at the shelter, where knife fights break out and crack pipes are left on the bathroom floor. For Dasani, school is everything — the provider of meals, on-the-spot nursing care, security and substitute parenting. On the Gracie trip, Dasani wears the Nautica coat donated by a school security guard and matching white gloves bestowed to her that morning by the principal.

A school like McKinney can also provide a bridge to the wider world. This round-trip journey, which occupies much of the day, is a welcome escape. As Dasani leaves Gracie that afternoon, she refastens her neon-pink snow hat. She has given up on the mayor. There is no sign announcing the shelter at 39 Auburn Place, which rises over the neighboring Walt Whitman Houses like an accidental fortress.

Two sweeping sycamores shade the entrance, where smokers linger under brick arches, flicking cigarette ashes onto an empty, untended lawn. A concrete walkway leads to the heavily guarded front door, where residents pass through a metal detector and their bags are searched for forbidden objects like canned food, hair dryers and irons.

Visitors are restricted to the bleak lobby. The shelter is ill equipped to handle the needs of its numerous disabled residents, among them premature infants and severely autistic children.

It is less a haven than a purgatory. Document A complaint submitted by a resident who says she was threatened in the bathroom. There is the year-old boy who writes, on Oct. The police are never notified. Nor do they hear about a year-old girl who says she was sexually assaulted by a security guard one year earlier. The complaint, written by her mother in Spanish, never appears to have been translated. The pleas of a year-old girl that same month also go unreported to the police.

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Over the last decade, city and state inspectors have cited Auburn for more than violations — many of them repeated — including for inadequate child care, faulty fire protection, insufficient heat, spoiled food, broken elevators, nonfunctioning bathrooms and the presence of mice, roaches, mold, bedbugs, lead and asbestos.

Dasani can pick out the inspectors by their clipboards and focused expressions. They work for the State Office of Temporary and Disability Assistance, which supervises homeless housing around the state.

Given that Auburn is partly funded by the state, these inspectors should presumably hold sway. Year after year, their reports read like a series of unheeded alarms. The adults write as if no one is listening.

Many sound like the parent in April who has spotted a dead mouse in the cafeteria and asks a janitor to remove it. The next day, the mouse is still there. Were there such a box to check, it could never capture how these encounters reverberate for days, reinforcing the rock-bottom failure that Auburn represents. Even egregious incidents are sometimes mentioned in passing.

She ends the complaint on a conciliatory note: After she filed the complaint in Septemberthe worker was taken off her case, but kept his job and recently got a raise. Chanel never told Dasani, for fear of passing on the shame she feels whenever she sees the man. Like most children, Dasani absorbs more than her mother would like.

But he kept his job for nearly a year, even after the police charged him with sexual abuse. He was dismissed last January, before pleading guilty to forcible touching. Just this year, there have been some calls to from the shelter — including 24 reported assaults, four calls about possible child abuse and one reporting a rape. City officials declined to comment on the reports of sexual abuse. One former director, Susan Nayowith, was promoted to head of client advocacy at the Department of Homeless Services.

And then there are the elevators, which frequently break down. Even when they are working, children cannot ride them unless accompanied by an adult. Dasani lifts her wheezing sister, twice her girth, and carries her up four flights of stairs to their room.

Six months later, it will be Dasani who falls gravely ill when the elevators are broken. She rocks and vomits bile one evening, trying to distract herself by watching television. She helps Dasani down four sets of stairs before she collapses on a row of chairs in the lobby. There is no ambulance, so Chanel calls again.