Summary and notes about jean de florette Dissertation Exemple - dayline.info
Welcome to my page of notes for the study of "Jean de Florette" by .. with each other, both with their hearts and minds, their relationship is a dead end. Jean de Florette and Manon des Sources (Manon of the Spring) are a French The marriage of cousins to cousins saved the family wealth, but resulted in suicides and . In the end, he successfully drives Jean to his death and takes the land. ''Jean de Florette,'' it can safely be said, is like no other film you've seen Then, at the end, there comes, for the Papet, a stunningly terrible fate.
But Ugolin's interest in Manon becomes obsessive, culminating in sewing a ribbon from her hair onto his chest.
At the same time, Manon becomes interested in Bernard, a handsome and educated schoolteacher recently arrived in the village.
- Summary and notes about jean de florette
- Jean de Florette
- Jean de Florette (France, 1986)
As a small child, Manon had suffered the loss of her father, who died from a blow to the head while using explosives in an attempt to find the water source. Manon witnessed this as a child.
The two men profited directly from his death. When she overhears two villagers talking about it, Manon realises that many in the village knew of the crime but had remained silent, for the Soubeyran family was locally important.
While searching for a goat that fell into a crevice above the village, Manon finds the underground source of the spring that supplies water to the local farms and village. To take her revenge on both the Soubeyrans and the villagers, who knew but did nothing, she stops the flow of water using the iron-oxide clay and rocks found nearby. The villagers quickly become desperate for water to feed their crops and run their businesses. They come to believe that the water flow had been stopped by some Providence to punish the injustice committed against Jean.
They had never accepted him, as he was an outsider and was physically deformed. Ugolin makes a desperate attempt to ask Manon for her hand in marriage, but she rejects him.
The cinematography by Bruno Nuytten captures the beauty of the countryside and the difficulties encountered by the inhabitants.
Manon des Sources ( film) - Wikipedia
Jean-Claude Petit's score, which borrows liberally from Verdi's "La Forza del Destino," is orchestrated in such a way that it enhances the film's emotional impact, rather than existing as a pleasant background distraction. The first film begins by introducing us to the two characters around which the entire story revolves. Since Cesar never fathered any children or so he believesUgolin is the last of the Soubeyrans, and, more than anything else, Cesar is devoted to the continuation of his proud bloodline.
So, even though Ugolin is ugly, tentative, and slow on the uptake, Cesar aids and mentors him, intending to set him up financially so that he can attract a healthy wife who will bear him many children.
Ugolin has his heart set on developing a carnation farm rather than raising animals or foodand, when Cesar learns how much the flowers are worth, he wholeheartedly supports the endeavor. But there is a problem. Carnations require copious amounts of water during the withering heat of the long, hot summer - far more than Ugolin's well can provide.
There is a nearby spring, but it is on Ugolin's next-door neighbor's property, and he refuses to sell. After the man's "sudden" death, Cesar feels certain that Ugolin will be able to buy the property from the heirs, but, to be sure, the two of them block up the spring, making the property next-to-useless for farming purposes. Nevertheless, the new owner of the property, Jean Cadoret Gerard Depardieuthe son of Florette, an old flame of Cesar's, has dreams of living off the land and raising rabbits.
So, despite the paucity of water, he brings his wife, Aimee Elisabeth Depardieuand daughter, Manon Ernestine Mazurownato live there.
Seeking to find ways to encourage Jean to leave and sell him the land, Ugolin befriends the former city-dweller, but stands by and says nothing as Jean's quest for water ultimately results in his death. The second movie begins ten years after the first ends.Jean-Claude Petit, Theme From Jean de Florette
Ugolin is a prosperous man, but Cesar is worried that he is still unmarried. One day, Ugolin spies her bathing nude and is instantly lovestruck. He begins an inept courtship, but Manon finds him repulsive. Simultaneously, she is attracted to a newcomer to the town, Bernard Olivier Hippolyte Girardot. Then the past returns to haunt Cesar and Ugolin, as it is revealed that the two conspired to hide the spring's existence from Jean, causing his death. Learning of this, Manon embarks upon a course of revenge.
By the end of the film, Ugolin has hanged himself and Cesar has had the most bitter shock imaginable. Jean Cadoret, the man he worked so assiduously to destroy, was his son by Florette.
Jean de Florette & Manon des Sources
The Soubeyran line thus ends because of his own actions. One noteworthy difference between the two films is the variance in tones.
The first movie is lighter, due in large part to the boundless optimism displayed by Jean. There are times when it seems that he might succeed despite the obstacles thrown in his way by Cesar and Ugolin. Ugolin, meanwhile is deeply conflicted about his actions.
He genuinely likes Jean and wants to help him. Only the prodding of Cesar and dreams of thousands of carnations keep him from revealing the truth about the spring.
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His actions are despicable, but he is not, and a pleasant sort of camaraderie develops between Jean and Ugolin. Manon des Sources is a grim motion picture. The tables are turned, bitterly and without pity, on Ugolin and Cesar as Manon sets out to avenge her dead father. Once she learns that these two were behind the deception that resulted in Jean's death, she acts decisively.
Ironically, her decision - to cut off the town's water supply at its source - is not what finishes either of her enemies. Ugolin is consumed by his own unrequited love and self-loathing. Cesar learns the bitter truth from an old acquaintance who returns to the village after a lengthy absence. Although the overall length about four hours in total and presence of subtitles will intimidate many potential viewers, those who venture into the world of Jean de Florette will find their efforts rewarded.
This is one of the most powerful, emotionally complex tales ever translated from the written page to the silver screen.
Marcel Pagnol wrote the novel that serves as the source material. It is a tragedy of epic proportions, but on a very personal scale. We feel for all these characters and what they have lost, even those that, in the hands of a less adept filmmaker, might have come across as cookie-cutter bad guys.
We feel no joy in their inevitable downfall. Nor, for that matter, does Manon, although she sheds no tears when Ugolin perishes.
The picture he paints is unflattering. Jean, whose defining characteristics are his innocence and boundless optimism, is destroyed by those around him who are motivated by deception and self-interest.